Branches of love: Armenia's big ballad
May 9, 2007
esctoday
Emotional staging
In one of the most beautiful sets, Hayko performed Armenia's Anytime You Need at the Hartwall Arena today, the last of the fourteen finalists to take to the stage to rehearse.
Several of the ballad acts this year make wonderful use of the wind machine, and Hayko is no exception; here, the effect is heightened by the white ribbons tied to the leafless branches of the tree behind the singer. Red branches entwine the whole stage on the screens below and behind Hayko as well, forming large heart symbols on either side.
Master of the ballad
Blinding white light beams from the tree out into the hall as the song begins, Hayko standing with his back to the audience and one arm raised. Stars fall, snow-like, at the back of the stage. The artist is a real master of the ballad, giving a secure, professional performance front-stage, remaining on the spot whilst two red-clad backing singers, a drum player and traditional dancer provide the movement behind him.
As expected with a big ballad, the shots are a combination of slow moving close-ups on Hayko and glides around the stage, and slow, zooming pans of the arena with Hayko cocooned in red branches at the front of the hall. Close-ups on Hayko frame the softly blowing tree branches perfectly.
Genius touch
Switching to Armenian at the end of the song was a stroke of genius; the effect is an emotional one, and suddenly Hayko sounds more sincere and heartfelt than ever in the big build.
There was some waiting around as Hayko looked impatient after an initial run, the music taking a while to come on for the second performance. But in the end Hayko managed several full runs of the song, and the Armenians can be very pleased with a moving staging and strong performance of the big ballad which almost finishes the contest.
Press conference
It seems Hayko is not the only star among the Armenian performers but the backing vocalists are also very popular in Armenia, according to the Armenian Head of Delegation.
The idea of his song is that when everything has turned bad and gone, then people shouldn't give up; this is based on an Armenian film. The white ribbons tied to a tree which is used in Hayko's performance is a symbol of hope or a wish for something one really wants to come true. It's an old Armenian tradition to do such a thing.
Choosing a romantic song this year after a very powerful entry last year is a way to show the different sides of the Armenian people, the Head of Delegation said. They hope that in the future they can introduce all sides of the Armenian music market to Europe. Hayko was asked to perform some of his other songs which he did, and the audience thanked him with warm applause. He sang an Italian and a Spanish song to the gathered journalists. He thanked all the fans supporting him everywhere.
Hayko ended the row of all the regular rehearsals' press conferences with a song dedicated to all journalists who were about to fall asleep because of the long working hours!
Note: Above are excerpts from the article. The full article appears here. Clarifications and comments by me are contained in {}. Deletions are marked by [...]. The bold emphasis is mine.
esctoday
Emotional staging
In one of the most beautiful sets, Hayko performed Armenia's Anytime You Need at the Hartwall Arena today, the last of the fourteen finalists to take to the stage to rehearse.
Several of the ballad acts this year make wonderful use of the wind machine, and Hayko is no exception; here, the effect is heightened by the white ribbons tied to the leafless branches of the tree behind the singer. Red branches entwine the whole stage on the screens below and behind Hayko as well, forming large heart symbols on either side.
Master of the ballad
Blinding white light beams from the tree out into the hall as the song begins, Hayko standing with his back to the audience and one arm raised. Stars fall, snow-like, at the back of the stage. The artist is a real master of the ballad, giving a secure, professional performance front-stage, remaining on the spot whilst two red-clad backing singers, a drum player and traditional dancer provide the movement behind him.
As expected with a big ballad, the shots are a combination of slow moving close-ups on Hayko and glides around the stage, and slow, zooming pans of the arena with Hayko cocooned in red branches at the front of the hall. Close-ups on Hayko frame the softly blowing tree branches perfectly.
Genius touch
Switching to Armenian at the end of the song was a stroke of genius; the effect is an emotional one, and suddenly Hayko sounds more sincere and heartfelt than ever in the big build.
There was some waiting around as Hayko looked impatient after an initial run, the music taking a while to come on for the second performance. But in the end Hayko managed several full runs of the song, and the Armenians can be very pleased with a moving staging and strong performance of the big ballad which almost finishes the contest.
Press conference
It seems Hayko is not the only star among the Armenian performers but the backing vocalists are also very popular in Armenia, according to the Armenian Head of Delegation.
The idea of his song is that when everything has turned bad and gone, then people shouldn't give up; this is based on an Armenian film. The white ribbons tied to a tree which is used in Hayko's performance is a symbol of hope or a wish for something one really wants to come true. It's an old Armenian tradition to do such a thing.
Choosing a romantic song this year after a very powerful entry last year is a way to show the different sides of the Armenian people, the Head of Delegation said. They hope that in the future they can introduce all sides of the Armenian music market to Europe. Hayko was asked to perform some of his other songs which he did, and the audience thanked him with warm applause. He sang an Italian and a Spanish song to the gathered journalists. He thanked all the fans supporting him everywhere.
Hayko ended the row of all the regular rehearsals' press conferences with a song dedicated to all journalists who were about to fall asleep because of the long working hours!
Note: Above are excerpts from the article. The full article appears here. Clarifications and comments by me are contained in {}. Deletions are marked by [...]. The bold emphasis is mine.
Labels: Armenia - Arts
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